A psychological thriller with mounting suspense, where attraction and danger intertwine until they become indistinguishable.
Miriam is forty-eight and living a life that no longer feels like her own.
She is separated, the mother of two teenage daughters, and working the job she once dreamed of: journalism.
But dreams, once fulfilled, don’t always keep their promises.
Her days unfold in a fragile balance between editorial deadlines, family responsibilities, and a separation she has yet to truly accept.
Then he moves into her building.
Fabrizio.
The new neighbor.
Handsome, charming, twenty years younger. An architect and photographer with impeccable manners and a gaze that seems to know more than it should. He could have any woman he wants. Yet he chooses to focus on her.
At the same time, her editor assigns her a delicate and high-profile case: covering the “Cities of Art” killer, a serial murderer who targets young women and arranges their bodies as disturbing recreations of famous paintings.
As Miriam investigates, her professional and private lives begin to intertwine in increasingly dangerous ways. Coincidences multiply. Boundaries blur. Doubt creeps in.
Because evil does not always appear as evil.
Sometimes it slips in quietly, sits beside us, whispers in our ear, watches us closely…
until we let it inside.